these time-rushed blips like panicked squirrels
refuse submission to
my lesser purposes; partnered anti-coagulants of
time and chance
pursue this restless memory till
soul tames mind
and sanded feet remind salted nostrils
of their richer fare
Knowing
Seldom have I felt this low,
my voice, still stuck inside.
A soul, left alone,
reveals its need
to suffer,
rejoice;
be.
Old for New
Let’s trade our foreign cargo:
our death, oblique and strange,
tagged for redemption,
but stirred to know
the story,
re-lived,
new.
Gift
Satisfaction guaranteed
to broken hearts that need
all that sorrow brings;
a song to sing,
promising
death to
death.
Presence
Let’s walk on distant shorelines,
ragged, rough and romping;
nuanced as the night
for we should not
assume that
we’re not
there.
Breakfast
I ask you, “do you love me?”
You tell me that you do.
I ask you twice more.
You answer me.
My answer?
Broiling
fish.
Below is the universal symbol for Longing in Chinese, Japanese Kanji, and Korean Hanja
Where else should I be,
but in this sacred presence;
to find my way here?
Once you did find me,
a broken, tear-sodden wretch;
and still you loved me.
One thing I have seen,
an onomatopoeia
has brandished this scene.
Once upon a time,
there shines a glittering light,
then and now and then.
When night is falling
into day from night before,
day has truly come.
Feed me on your flesh,
nourish’d from still deeper veins
and my soul starves not.
Still strings vibrating,
filling the air with sad songs,
and still we’re singing.
I can see your face,
time and space interrupted…
Can you see my face?
Mystic reverie
of clouds, unknowingly, pass.
Entranced in longing.
Satisfied am I
in a Eucharistic haze
of understanding.
Swollen palettes, satiated on mystery meat, bread and corn
husked beside the red swing-set after splish ‘n splash at noon.
Summer’s silly sprinkler dance anoints the day
with laughter fit for kings’ tables finely festoon’d.
Checkers played with pennies and monopoly pieces,
and, later, fake dollar bills found buried in the car seats.
Dinner table taunts from Mom and Auntie June
to remove from there our sad and smelly feet.
Now when moon and sun compete for sky,
I chuckle one last sigh before I hit the hay.
My buddy’s fresh, new farts remind me
how soon, in restful sleep, he’ll pay.
Sometimes, when pompous stars have fin’lly come and gone,
and, creeping on the ledge beside my window, at this height,
I wonder when, once more we might revel in
The home of a neighbor of a close friend of ours recently burned to the ground. This is a tragedy of the worst kind for anyone. Moreover, it was a place that housed troubled adults. Although no lives were lost, a home and a hope, at least for a time, were.
Sing, little ones. Sing, for the music still plays on…
Strike up the chord from rubbled keys,
fill up your ears on scrawny knees,
push through your threadbare notes with ease,
let the music play on.
For good or ill the band still played,
Titanic-deck’d no songs fore-stayed,
reduced to ash and dust parade,
yet the music played on.
When all has shuttered up within,
let lonely hearts bestirred begin,
to harp, to trump, to violin,
for the music plays on.
And you, with your most treasured fears,
ensconced in burnt and golden tears,
a lilting note from God full cheers,
and the music played on.
“…and the flame shall not consume you. For I am the Lord your God.” Isaiah 43:2-3
A few months ago, as part of a Poetry Party on one of my favorite websites, www.abbeyofthearts.com, I submitted a poem entitled Look now, the blessed road. The theme? In praise of detours. It was received well enough that I thought of adding the yin to that yang. This latest poem illustrates the other part of our spiritual journey, that part full of dark uncertainty, ambiguity, doubt and even pain. Not as much fun to write about but necessary all the same…
Where footsteps once fell, proud and sure,
and met solid pavement with unwavering courage,
now there creeps, under guise of night
a pall, a weary and whimsical word of doubt.
The core of dreams once held aloft to sun-drenched hope
now hide, tucked in folds of fabric and crevice of stone.
Shiver and should, wither and would, careless and could;
the words of humbled discontent and self-abasement
foretell a morning not here, but night so stubborn.
Were it not for the taste of dust
one might mistake white for black, black for naught.
Sharp the shame of whispered this and promised that
when time stood still to salute my place.
Go, for now is not the time for talk or even willful gestures
betokening peace or grace or surety.
Let me drink from the bitter pond if only
to remember the taste of freedom.
Look away, don’t pretend that this one knows
or feels or sees as one should.
No, pray to the silent god, forgotten shadow of something greater.
But for all this, I can see someone lurking,
waiting, longing…for what, I do not know.
So then, here I will sit and wait for this well-known stranger
to, once again,
emerge.
June 21, 2012
Upstream
From the mouth of this river
I can see forever.
But just to see it
is not to know
the gifts it
can bring
me.
Downstream
From here I see what has past
from early dawn to dusk,
meandering stream
of hearts and minds
too broken
not to
feel.
Midstream
From here I can see the moon,
in all her bright glory.
But still I can’t see
what direction
this bright stream
will go
next.
Half-mast
Is it high or is it low?
Starboard bow or portside?
How are we to know
which direction
we are be’ng
led to
go?
Solitary
Here I sit in places, still,
with rhythms full of grace.
An occupied peace
and quiet voice
that summons
me to
stay.
Uprooted
Hands unseen reach from elsewhere
to dig and pull and strip
what little else remains
to be troubling
the places
where life
is.
Replanted
Hands unseen reach from elsewhere
to dig and hold and place
newness green and fit
into rows of
strong and new,
wondrous
life.
Piercèd Wonder
Breached against a sullen sky
one wicked afternoon,
sad eyes behold the
piercèd wonder.
He saw them
and he
wept.
Resignation
First it was impossible,
then it was just painful.
Now it’s both painful
impossible
and troubling,
but it’s
done.
Peace
A most illusory thing,
is this thing we call “peace.”
Too tightly grasp and
it leaves faster.
Let it go,
and it’s
yours.
So it is now to be, Lord,
that penance brings with it her own harder penance;
riddled throughout with pain, sweetly nuanced
with character like wine, red and melancholy and ripe?
Forsworn am I from joy so privily gotten
that, nestled deep in shallow places,
this hollowed out heart hallway, designed for
good and light and sweet,
lies overwrought, undone.
Paint has pealed from walls of these plastered eyes
inured to seeing what not to see.
I wish eyes and heart were unconnected.
For then, might I see.
Lord, tear out seeing eyes and replace them with blind
if only to remind me of what it was to see;
and then, blindly, to rejoice.
I’ve shared previously of my love for Christine Valters-Paintner’s wonderful website “Abbey of the Arts”: http://abbeyofthearts.com/
This poem represents my contribution to her latest Poetry Party. Come, join in the fun!
Shine, like the brightness of one’s forehead
Where things thought become things seen.
Shine, like the eyes of a child
Newly opened to a world of worlds.
Shine, like rays of heat
From the sidewalk of our common contentments.
Shine out like shook foil
As Hopkins reminds us.
Shine, like our righteousness at noonday
As the prophet reminds us.
Shine, where all else
Has refused such invitation.
Shine, until to shine
Is all that is either possible or necessary.
Shine, as the one before us
Shines.
If we are made in God’s image and God sings, then we should be singing, too.
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