Author: robertalanrife

I have spent the better part of my life as a professional musician. Primarily, that has meant the fun and challenging world of church music. Most recently, I have transitioned out of my role as worship and music director for Yakima Covenant Church, Yakima, Washington to global service in Edinburgh, Scotland. I'm a singer-songwriter, liturgist, poet, and writer. I love words. I love to read them. I love to write them. Most of all, I love the many intersections, like a sacramental tapestry, of life, liturgy, literature, the arts, and spiritual formation...oh, and I love haggis.

Thank you, Mr. Lawrence

On By robertalanrifeIn Sanctus, Theology / Spirituality1 Comment

I have a new spiritual director. Her name is Lynn. She is a most perceptive lady, especially given how much I adore poetry. After our most recent spiritual direction session, she was compelled to send me this by way of follow up. Two things: find yourself an anam cara; a professional spiritual director or at least someone you trust to walk with you as you both walk with God. Secondly, look for the sacred in narrative and poetry. Next to creation and sacred writ, it is often the most meaningful manner by which the God of creation speaks to our souls.

So then, Lynn, thanks for listening so attentively.

Thank you, Mr. Lawrence for this poem which has always been a favourite.

Lord, thank you for both!

Where poets learn to see

On By robertalanrifeIn Life of Rob, Waxing Poetic1 Comment

Grey ash, dead-branch-dim

d

e

s

c

e

n

d

s

into corpses, exhumed-verse to still worse fate –

apathy.

Words, once ample-ripe, now winter-sparse,

hunt, cock-ear’d, lungs-flatten’d, for somewhere

to land, to inhale.

Dust-grey soundings lay coiled, like the end of a painter’s day,

wrestling out colours, lines, faces –

not bothered anymore with looking beyond what is seen.

Just the clamouring fool’s last-call for the quick and easy.

These

lazy

letters, unfinished sen

Like changing tires on rusted farm trucks mired in tired dirt,

we muck about in quicksand of distraction, disappointment, deadlock,

the oppressive weight of art.

As needful distraction, we gather up the prosaic, pretentious, polemical,

in fits of laughing stems knit to notes, clinging tight to daylight’s end.

Throats worn from croaking long-forgotten songs of drunken men and laughing children.

Why not dare, instead, to probe the unentered caves where live

the furies, the forbidden, the fortuitous?

That prodigious, crowing dark –

where poets learn to see.

The scars of our days

On By robertalanrifeIn Waxing Poetic1 Comment

We stumble on flat ground when shouldering the false hopes of doctrine,

grave clothes of religion – its diminishments. Falling headlong

on easy roads we can’t enjoy for our straining to explain.

We scratch at stones, wet from dawn-drenched, day-breath,

looking for what signs of life emerge.

But, it hides itself away in the damp unseen,

crevices unnoticed by all that never knows light.

Beauty grows savage, flowers pushing up through concrete,

stem intact, root-sutured rock.

Water still moves under winter’s deep-crusted yawn.

Finches fly back north to signal summer’s return.

There is a beauty too perfect for vain curiosities,

hope, hunted for, but stuck in the idolatry of certainty.

We are as we are grown, have groaned –

greater in the scars of our days.

On aging

On By robertalanrifeIn Creative Process, Waxing Poetic3 Comments

The writer must create from one, or both, of two places: intention, the rhythmic pounding of chain gang-style word production, regardless of circumstance or existential readiness and/or secondly, inspiration, generally obtained through the navigations of a life-lived and sopping up the genius of creators much greater than oneself. The clear lack of words posted to this site in recent months is evidence that I fail miserably in the former. This one, however, comes from having read some of the collected poems in the posthumous collection: “100 Poems” of Seamus Heaney.

The best writers write much using little. They say fundamental things with brevity, economy, exactitude, and a settled, but discerned, relationship with their environment. Seamus Heaney is such a one.

This is brief, but I hope, settled in its own way. I pray it pokes at something in you that, like for me, has lain dormant. Maybe, together, we can reawaken to all the beauty still out there, waiting to be discovered and toyed with.

On aging

Candles, late and long of light,

ligamented now with downward

pour, its waxen tears

the reminders of tender’d space.

Still, there sticks a certainty

of return, innocence untethered,

released from her superlatives

of age; a perambulation of

secondary narratives, like barb’d

wire sunk deep into the

many-ring’d trunk.

Hands, purpled-shanks,

quiver through their tasks,

once the domain of domestic

industry; now but memories,

forgotten, a casual anxiety.

How can the same bird

recall the song, left on the

sill so ready of purpose?

She can but smile at its reticent timbre –

and start again.

Picture found here

Sometimes

On By robertalanrifeIn Words...always wordsLeave a comment

Sometimes a poem works well enough to post again…sometimes.

Rob's Lit-Bits

Sometimes the drops of air laugh at our impudent chuckle

and gather themselves into a breath. Sometimes

 

when the robin stares too long at the kitchen window,

we become her careless dream. Sometimes

 

the patches of nothing between the rain

know something, too, of waiting. Sometimes

 

I pinch myself asleep long enough to awaken again

to the resurrection of your scent. Sometimes

 

the sucking sound when pulling boots up from the mud 
is how I hear your leaving. Sometimes


the one goose not in formation with the others, 
heading where life goes are my thoughts without you. Sometimes


like old leaves pasted back on the living tree 
is the sound of my cracked voice next to your song. Sometimes

 
like a shower in the lobby with the door open 
is our talk. Sometimes

 

in the wordless poetry, alone,

is our silence.

 

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The Moorland Fairies

On By robertalanrifeIn Words...always wordsLeave a comment

After having a conversation about “old school” vs “contemporary” poetry with a young student in the middle of a Master’s degree in Comparative Literature, I thought this one might be a good one to repost. In honour of “old school”…

Rob's Lit-Bits

The folklore of the Scottish highland moors is extensive and, frankly, creepy as hell. This is a poem that narrates some of that creepiness. Enjoy…or whatever one does with this kind of poetry!

 Moorland Fairies

From marsh and hill through woodland, still,

arose the lithe-limb’d people.

Their frozen stare could nearly kill

e’en those under God’s steeple.

* * *

For many years they haunted men

and frightened little children.

They came at night from eerie dens

to poison, scare or steal them.

* * *

Hunted down with bow and gun

till all were tired and hopeless,

till one cold day, they came upon

a creature in death’s caress.

* * *

So pale and wan, it lay atop

a thicket, robed in grasses;

it’s bluish skin, stout hearts could stop

black eyes, like coal-molasses.

* * *

The men bent down to prod and stare,

its spindly shanks to…

View original post 178 more words

An old poem for a new year

On By robertalanrifeIn Waxing PoeticLeave a comment
“Church Bell” by Georgia O’Keefe

We climb over the short wall from one three hundred sixty-five day journey to begin another, hoping against hope that it is somehow better than the one before. We’ll be just a bit happier, thinner, better looking, less anxious, more of this and less of that. Ever an admirer of Romantic era poets, I give you the following as a poem to ring in the new year.

And, because Wikipedia is where all things are quickly found…

“Ring Out, Wild Bells” is a poem by Alfred, Lord Tennyson. Published in 1850, the year he was appointed Poet Laureate, it forms part of In Memoriam, Tennyson’s elegy to Arthur Henry Hallam, his sister’s fiancé who died at the age of 22.

According to a story widely held in Waltham Abbey, the ‘wild bells’ in question were the bells of the Abbey Church. According to the local story, Tennyson was staying at High Beach in the vicinity and heard the bells being rung on New Year’s Eve.

Ring Out, Wild Bells (from In Memoriam)

By Alfred, Lord Tennyson

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.