A morning in Malibu

Day creeps in slowly

like a child, uncertain, demure.

The disheveled hillsides yawn

themselves back to thirst again

in the dry, January sun.

A nighthawk, warblers, and sparrows

choir themselves out of the quiet night –

a morning dissonance at war

with nothing but hunger.

 

Down the slow road into town

a woman pegs up laundry, old school,

to dry in the hot ocean winds.

Eucalyptus, snapdragons, and primrose compete

for what little water is left

after years of drought.

 

Shakes of uncommitted clouds

stoop to the margins of

warm sky. That’s where the colors are,

a shock of tapioca time in love

with the lilacs, blooming only

for themselves to be the judges.

 

The town at the bottom of the hill

smells of competing sea-salt

and cheap tourist breakfast.

Those ladies looked out of place

in their broqued jeans and high heels,

that push them up above the

flip-flop culture encroaching –

like the sea.

 

Runners, running, so many runners,

running apace and aloof as the uneven

shoreline. They are chased by

over-confident gulls and the sad

feeling they can’t outrun something.

But still the water dances with sun

and dreams and there is time.

 

 

 

modern poetry

Every new generation of poets seeks to build on that which was before and push boundaries of language, metaphor and meaning. As a lover of more “classic” poets to whom we all look for guidance and inspiration, but who struggles to say things in new and fresh ways, I’ve had a love-hate affair with the beautiful pretentions of contemporary verse. Perhaps there is just too much genius for me to capture. Perhaps I am destined to speak in an older voice with newer words? Perhaps I need greater patience to see what is ever before me? I ask here some questions in verse.

a medicine cabinet

stuffed with placebo

 

a closet full of clever

 

a basket of plastic apples

half-eaten, half-observed

spit back out where they too

become poetry

 

Hermes has a message

but his feet are raw

from too much slogging

in circles through the plumage

of the self-engrossed

 

t.s. eliot squints from

the writing chair

he’s but the worn-out scrivener

too tired to interrupt

from his tidy perch

hidden beneath our dust

and pretention

 

dickinson donne blake and hopkins sprawl

themselves out prominently

under the african violet

on some coffee table

but with coffee-stained faces

that sag bored from hearing

glorified journal entries

too minute for verse

 

was it williams’ red wheelbarrow

or mary’s kingfisher

or a d. h. lawrence butterfly

or even the silence of e. e.

that first whispered

‘folly’?

 

was it too many commas

and too little rhyme

to make something live?

did the truth live among the 

dreaming gemstones

where words give birth

to flight? 

 

or maybe those words

were bled from the same

shaky pens

leaching the heart

of day-starved paper still

straining to see?

Stand still and come what may

Stand still and

come what may, they tell me.

Perhaps then I will stand still,

with feet propped against

this little flock of earthen stones

and let the wind jig in my toes.

Here I will wither happily,

like the gathering ducks,  

pooled and waiting.

I’ll whistle for the twisting

roots of soil

where hide promises of cradle and tomb. 

I will vie for the sweeter attentions of

womb-sung songs with words,

cramped, waiting, unborn.

I think I’ll wait for their release

from promises

made for two

and let spring’s last push

seduce summer’s agenda.

The coughing day-brown hillside

counsels me

to be more than I was,

but less quick to

be more than what could be.

Leave that to the rest of us, they tell me.

I think I’ll just wait here.

The un-ruined life

The time was still too young for my feet,

but overripe for my mischievous mind.

So, where time plays hooky from our plans

I wrestled my angels.

And, in my dream, I looked out over the rocky embankments

still holding my thoughts and, over the tomb where

recently someone left not long after arriving, a placard read:

“Beware, those still trapped in a life safe, and un-ruined.

You won’t get to enjoy the looks of incredulity from those

who’d prefer you stay here.”

As John would say

My constant muse both in poetry and life in general is the late John O’Donohue. A Celtic poet, philosopher-mystic…what’s not to love?

The following is an excerpt on poetry and presence from “Eternal Echoes: Celtic Reflections on Our Yearning to Belong (1999):” 

“All the great art forms strive to create living icons of presence…I am always amazed that poems are willing to lie down and sleep inside the flat, closed pages of books. If poems behaved according to their essence, they would be out dancing on the seashore or flying to the heavens or trying to rinse out secrets of the mountains…A poem can travel far into your depths to retrieve your neglected longing.”

Yes. What he said.

The dim Jerusalem skyline

Last year’s thoughts for this year’s Holy Week.

robertalanrife's avatarRob's Lit-Bits

he weeps

I see you, eyes cast down in pocked and weathered faces,

cheeks sunken from polishing what could never shine.

Your overseers, harsh and bloated with their assumed fame

cast a sneering glance, a gaping maw of greed,

lusting for lust’s sake, all in the name of (g)od.

I sat at your tables, supping with your sons, your daughters.

I touched your withered, your lonely and broken castaways.

I drank of wine, once pulled from a well, but

unsatisfying for those who just wanted

to celebrate a little longer.

Yesterday, the smallest steed walked on branches and twigs

heedless of the hypocrisy, of misunderstanding, of misapprehension.

Those same roadway gifts will soon be yanked away

in favor of heavier trees and a few nails.

Oh, how you would have been better to keep your coats,

to water your palms, to soak your dirt-worn feet

than to waste such extravagance on a lie.

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Good from regret

There was always enough time to dodge and weave among the silences where words hid themselves under innuendo  It was a metaphor for communion drank from empty cups with stale bread crumbs  Teeth never chatter in the heat of tall clear days except when one hasnt looked up yet to notice  A thirteen year olds wishbone summer is no match for the real world It chants and whirls itself into rock star memories where pretend gets truer in the telling   I guess one could say she should have known better  All the signs said the same thing with different words  So many taps on the shoulder whispers in the ear the kind you feel the need to silence with voices louder still   But once water gets poured into the brown earth the satiated ground is loathe to give it up  That is until heat and time force it back out bringing with it the green goodness of even better stories

Under construction

Ice-ridden river

Match-making in shared moments

the winter’s broken promises

feel so effortlessly serene.

There is a rapprochement in

the submarine sun, submerged

and safe as a summer sonnet.

But unwieldy and withered

like grandma’s warm hands,

one hour grasps another.

So, I chuckled to myself,

author and beneficiary to

my own private joke.

And, with trickles and trembles, 

thoughts crawled impatiently beneath 

the ice-ridden river.

Maybe this is a good time

to tell this pen of disconnections

requiring a poet’s attention.

Where truth and beauty meet

I’ve always been fascinated by all the intersections between truth and beauty. That exploration takes up much of my creative time. However, I give this one to a poet who says it better than most, Emily Dickinson.

I died for beauty, but was scarce

Adjusted in the tomb,

When one who died for truth was lain

In an adjoining room.

He questioned softly why I failed?

“For beauty,” I replied.

“And I for truth, – the two are one;

We brethren are,” he said.

And so, as kinsmen met a night,

We talked between the rooms,

Until the moss had reached our lips,

And covered up our names.

-Emily Dickinson