Nanaimo

Nanaimo at night
Nanaimo at night. Photo: Rae Kenny-Rife

Layers of green-backed mountains muscle their way through bruised-blue ocean. Hovering always beside us, they serve as our constant reminder to look this way, west, when lost (an hourly occurrence with me at the wheel). The air is grey, merging as one with the sky that frames it. Those, like us, whose weather experience is unyielding, unnecessarily hot, desert sun, often boast of the abundance of light. But, unlike the pushy, insistent sunlight of eastern Washington, the light here is complex, nuanced, shy and non-committal, like a teenage girl not quite ready for a boyfriend’s advances. Colors and textures are more discernible; faces, buildings, and backgrounds more sophisticated, not blanched and obvious from the brash directness of a boastful sun. This light is earned and, as such, even more deeply appreciated for its whimsical scarcity.

Rain here is currency, making this a rich place indeed. Its presence is more than just expected. Its certainty brings with it a comfort akin to the smug knowledge that umbrellas bring in clearly delineating tourists from townies. It’s dotage, over-eager but well-meaning, comes like a cleansing of the palette as it were for the hardened but friendly inhabitants who call this home. Anything more than about a ten percent chance of rain means, well, rain. Whatever ‘showers’ means elsewhere, in this place it is code for, Build ark and prepare thyself for an unforgiving shitload of vertical water and avoid umbrellas at all costs.

Tucked beneath the busy sky, layered mountains, and hungry sea lives a population reminiscent of a suburban Woodstock. Hippy loggers. Polite revolutionaries. Sidewalk artist news-junkies. Bag-ladies and street-dwellers with decent grammar. All of the above and us, the lone, traitorous Canadians living in Washington State trying to stumble our way around. That, with downtown streets twisting in corkscrew fashion in and out of side streets that double as alleyways that double as thoroughfares that smirk at our lostness. The roads, having been laid by drunken blind men in oneupmanship sprawl out like some wild, yet picturesque, game of snakes and ladders. Where the hell are those mountains anyway?

downtown-nanaimo-from-roberts-roost02Those Canadians, famed for politeness, are the same ones who, upon noticing our Washington State license plate, find every way possible to angrily tailgate us into next week, regardless of our fifteen miles per hour over the speed limit. A worthwhile risk, apparently, to he who must teach a valuable lesson to these wayward American ne’er-do-wells. “But wait,” I inwardly screech, “I’m one of you.” To no avail. This is what Canadian “aggression” looks like. I meet the same guy at a red light and he’s all smiles and waves. Here in Canada, polite is but shorthand for passive-aggressive, a set-up for the inevitable near-clash of non-words.

The reason for this ascent into the murky badlands of Vancouver Island rainforest otherwise known as Nanaimo? To deposit (or abandon, depending on your perspective) our youngest son into the fray where he will begin Jazz Studies at Vancouver Island University (not an oxymoron, I assure you) and a new life figuring out the politics of labyrinthine Canadian niceties. He may have been born in Vancouver but he has spent fourteen of his eighteen years in America’s Pacific Northwest. He is the most American of anyone in our family, a family more Canadian than most Canadians.

The long love we’ve harbored (yes, I went there) for screeching gulls alighting on fishing boats, grumpy clouds bobbing over bouncing buoys, and a permanent smell of pulp laden damp help us navigate the darker waters of parentalisms. Small comfort indeed in the face of driving hundreds of miles away, the face of one’s youngest in the rearview mirror. Good thing I’m given neither to melodrama nor self-pity or I might find myself writing about it.

God forbid.

Photo found here

 

Slip shod past The Wimplebee…Schloop was shloshed at Schniffery’s

Woodriff Schloop
Woodriff Schloop
Slip shod past The Wimplebee
goes Woodriff Shloop, at half past three.
This Shlizzmagora found his way
to Littleman’s Wharf, or so they say.
Then Woodriff’s portulimpical arc
sat still while still he could be park’d
at Donegal’s the story goes
to drink eleventy more of those.
Now, the dishlee, Griff Labasherimm
found Woodriff Schloop and asked of him
to kindly wait till half past three,
to slip shod past The Wimplebee.
* * * * *
Half a day and half again
since Donegal’s had seen the man
who trundled round the farberquim-
the porter claimed he’d not seen him.
And grumpy Griff Labasherimm
insisted he’d seen nowt of him.
Then near to half past quarter ten,
a-spied he was near Quibulen,
with characters of shifty sort
and women, or so they report.
His coat in tatts, his trousers torn
his nose a’blooded, face forlorn.
with scuffed up shoes and smudged up knees,
for Shloop was shloshed at Schniffery’s.

Maybe

Bleeding music

Stop. I hear the running colors,

bleeding their way into staves of

yesterday’s piecemeal hide and seek.

They have a way about them, stoic and

unyielding in their passion.

 

Maybe it’s the seagull songs,

where nobody knows the words?

But the shear intensity of

competing voices marks territory

for newcomers and ne’er do wells.

 

Maybe it’s the ease with which

lyrics come back from high school sweet

heart songs? Backseat strolls, stretching

out winding fingers, unseen aches;

the Marco Polo jaunts of un-easy un-initiates.

 

Maybe there’s blood in the notes

that tease from privileged places,

hung high upon their low lying lines,

the wide open spaces where old things ease

and new things grow? The music of veins.

 

Maybe clapping these rhythms merely

confuses our steps to a dance, unfrozen,

that teams with uncertainty, like deer on the highway?

This dance, best left alone, makes off

with all remaining reticence, leaving behind

only tired partners.

 

Maybe, like the salmon choir, we submerge in

subversive harmonies, fit only to glide

through effortless musings on riddles of

the underworld? Faint words and muffled sounds

force us to listen more closely.

 

Maybe, instead of the insistence of virtuosity,

primping and perfectly postur’d, we should let

our barstool voices take us where

only friends can go. Sometimes,

there are better tales told under tables,

than solos sung from spotlights.

 

Maybe, the worried demeanor of

our shaky performances stalls itself,

out among the cocain’d critics and shadow-puppet

friends? Would that we only pursued

what’s dangerous, dying in the process, than

soil ourselves waiting for graceless applause.

 

Stop. I hear the running colors,

taking up their places, im-prism’d.

Reinstituted truths of tales best left

un-sung, songs best left un-painted,

casting long shadows on the longer land.

 

Image found here