Look now, the blessed road

What follows is my latest poetry submission to the Poetry Party #56 at Abbey of the Arts (http://abbeyofthearts.com/). The theme: “In Praise of Detours.” How intriguing is that, right?

Look now, the bless-ed road rises to meet

feet, weary, uncertain, but sure

of steps yet untaken that, parting, greet

a step, one step, from that step. Intentions pure

where hinted there evidences of worn

and bent, slow and plod with care

the stoneway moss from feet unshorn.

It now draws this one from here to there

and back, or not? Perhaps to see once more

the trace of place and diligence where

friend not seen for to strength restore.

Beyond this hill, that rock, another vale

to part from us the sure, the safe, the soft

and bring once more the promise of tale,

of song, of new and now and hope aloft.

As turns the way from risk to gift,

she bids one turn and, unflinching, faces

the way unmarked by mark-ed feet, swift

to lead not ahead or behind, but grace –

the name of he who draws, and we who strain

the path we sought, and found again.

Spring on Ash Wednesday

Ash Wednesday, February 22, 2012

 

Begins again this Springward journey;

rebirthing all that once lived.

Trickle again once fickle brook and stream

sickle sighs yet in repose, sleeping still.

Earth, sore and Winter-stiff, seeks, sighs

stretches out skinny arms of want.

Her cold, hard bosom births not what soon will come

e’er the Sun’s hungry mouth suckles,

fills his lusty gut on hopeful barrenness

feasting on milk of timeworn, weary passage.

She forgets not the suddenness of late

and sooner dark, splayed upon a fine, greenness

come for to spite the buds of transforming light

bidding death where life has yet to emerge.

Warmly insistent she speaks, sharing her story

poured out over the long-shadowed land.

Bring such bothersome beauty to branchier speech,

fall around us, spilling, foaming such fury

and fermenting our soon-drunk wine of promise;

earthen spirit’s Eucharistic prayer.

Hush now, silence yourself bold coldness and spare not

freedom’s great gift only taken this once year’s-life.

Steep instead in warmness, worried not for lack

but bubbling and birthing bold words lightly spoken.

Remind us, refresh and reframe what is still rooting,

routing sad night-hood to don the new, the now, the never again;

only to return, restored and restoring,

regenerated, reborn.

Give us again your beauty for our ashes.

Wednesday speaks our secrets.

Of life, love and bagpipes – continued

At a Highland Games sometime last summer I was piping for the Highland Dancing portion and wrote some reflections. This is the continuation of that story…

I jump ahead forty years in order to share one of many piping stories accumulated over those years. Since the age of fourteen I have played bagpipes as accompaniment for highland dancing. Typically, a piper or pipers are hired to perform this task, doing so throughout the day trading off dances for breaks from the delightful tedium. Yesterday was one such day.

One walks onto a damp field, humming with the possibilities of the day, newly arrived but yet in infancy. The sun, undecided as to its welcome, insists on playing peek-a-boo through gently swaying trees overhead. The heady, morning air gradually yields to the all too familiar squawks of bagpipers keen to tame the beast before their competition debut two hours hence. Ahead of me is a small army of doting Moms preening little girls; perfecting hair, fluffing ruffles, smoothing wayward eyebrows, tightening dancing shoes, blowing young noses and assisting people like me with the whereabouts of the necessary coffee, fuel for a long, noisy day of piping for Highland Dancing – the reason for this morning scenario…

It’s almost imperceptible how one’s surroundings, interactions – experiences in general, help to build a reality around our lives that is immediately recognizable on reentry. Smell pot once and you’ve pretty much got it memorized. Conversely, smell, if only for a moment, the fragrance of a particular perfume, and one’s whole world of first love reopens complete with vivid pictures, achingly familiar emotions and the intoxicating remembrances of love won and lost.

For bagpipers this occurs whenever the tangled auditory mess that is a competition field of peacock pipers strutting their craft before one another, feigning non-chalance, makes itself known. And yet, there’s a certain calming effect the uproarious clitter clatter of competing non-harmonies has had upon me for more years than I can count. As a competitive piper for decades, to walk onto a fresh competition field ripe with the smell of dew mixed with wet leather shoes, cigarette smoke, and the smell of bad food was nothing short of transcendent. If I’d hit a winning streak, this strut was accompanied by a rush of a please-notice-my-statuesque-entrance-onto-the-battle-field-and-be-afraid posture. Ah yes, the overly confident swagger of youth.

Today is not a competition day however. This is a day devoted to the craft of Highland Dance accompaniment. To the uninitiated it is the realm of piping masters whose melodies, lilting one minute, scorching the next, endear themselves to those intent on seeing kilts bounce up and down for six to eight hours in 90 degree heat. To those of us in the biz it is the bottom of the bagpipe food chain so to speak. To stand in one spot under a lovely shaded canopy while waited on hand and foot with coffee, water and sandwiches is a far cry from the blistering heat on black tarmac upon which competing pipe bands fight to maintain a most unwieldy instrument against the ravages of the waterless landscape. While I play simple, crowd pleasing melodies over and over again to constantly appreciative audiences, each pipe band must battle under much more extreme conditions not just for the crowds but for the stoic and feared judges lurking just beyond the competition circle.

No, my job today is considerably simpler. And, I’m OK with that.

I’m now closer to 50 than 15 and the sheer number of times I’ve had this experience of Highland Games participation complete with youthful swagger and passively boastful demeanor have been replaced by the gently glowing embers of gratitude. It is thankfulness for having even been introduced to this oddly mystifying instrument and its associated sociological accoutrements.  Now, I can’t help but think as I stroll past these young pipers intent upon nervous preparation for the perfect performance just how glad I am that they, now, have their chance and, second, that I no longer need it to enjoy all that it offers. I’m gonna watch them sweat for awhile.

Again, I’m OK with that.

bathroom mirror conversation

Wait. What are these words

etched so blatantly in this fog-ged mirror

beside the shower

curtain of immodesty;

before me yet beyond my senses,

in ears endampened, engrossed, entombed-

like my murmuring heart?

Skin awash, adazzle;

insides asleep, awaiting…

There, there I see on glass, smeared,

perhaps by finger, nose, or shoulder –

condensation wiped from misty mirrors

word for word what I most misunderstand

and least fathom.

Traces left, glances of a face

revealed yet indeterminable; known, un-strange;

but surprising now, and terrible

soft and fearsome, lithe but

too big to hide even

in the darkest corners of my indirection.

Droplets dive to swim and speak

the intangible peace of this lilting voice.

Like an eyeball widget

refusing to stand still, darting to and fro,

never seen straight on,

just out of focus,

you write this tale, shrouded

in the vagueness of a loving stare,

adroit and sharp, a repeated repetition,

repeating yet again the same words:

“I have made you clean.”

Still, I know this face.

It is yours, subtle One.

It is mine.

It is ours.

of winter

perforate my insolated heart

with rock and stone and bits of branch

that scratch the earthen sky

with its insistent icy gaze

latch yourself rock, stock and thicket,

the budless arms of winter, skin and bone

wrap themselves around the icier heart

of my discontent

cry with wonder at my lack of wonder

this chill stream of unconscious boredom

alive in its deathly hold

we, together, sleep.

where once I stood

brazen, half alive but sure

of my surety finding

none but rockbed nourishment

in place of deeper food

but I refuse to dig.

in this time, non-colored

void of spring’s lithe dance

or summer’s lazy strolls,

only still

lonely, stilled,

stillness alone.

so be it,

come, sweet winter

come, bid me bid goodnight to my childish fears

hypnotize me, embalm and embranch me

let the stark, new life of death

feed this wafer-thin soul.

kiss me with frozen resurrection

till snow becomes dew

and we both

ascend

Journal vs. Blog – why less is more

As I’ve written elsewhere, I love to journal. I’ve been doing so, poorly, since about 1985. As such, it has not been an uncommon thing to receive new journals at Christmas or for birthdays. It’s especially meaningful when my boys buy new journals for me. My younger son, Graeme, bought my last one. It is now full of my life; spillings of poetry, life musings and assorted literary brick-a-brack. I used a bookmark he once made for my wife that, along with his delightful pre-pubescent picture on it also contains the words “I love you Mom!” How could that not be life changing?

What follows is a typical example of what I might write in any given journal, especially a new one. And, as you shall see, there is no small irony in the sharing thereof.

“I wonder how many times I’ve had the experience of pen on paper, the brand new journal? Most notable is that both my sons have purchased new journals for me; Graeme a few years ago and now, this Christmas, mere hours ago, my older son, Calum. It is beautiful, leather bound and handmade in India (I guess, in the interest of appreciation for the thoughtfulness of my son, I’ll temporarily suspend my moral suspicion as to who may have constructed it!).

My spotty, irregular journalling discipline would be a poor picture indeed of how deeply meaningful it is for me. Yet, in spite of that fact I know so little about the art of creative chronicling one’s life journey. The greatest benefit of journalling is also its greatest challenge: slowing down long enough to consider, carefully and lovingly, one’s pilgrimage with God and others. It is one thing to write about life events. It is quite another to probe and record one’s thoughts assiduously, faithfully, prayerfully.

Even blogging, something else I enjoy immensely, is fast-paced by comparison, hampered only by the pace of my not inconsiderable typing skills. The sheer number of available words per minute on computer may in fact be counter-intuitive to the deeper interiority asked of me in writing out those same words.

What is it about our contemporary, Western mindset that demands such unsustainable productivity? Even as I write this I find myself thinking how much less efficient it is to write these words only to type them again an hour later for the benefit of my blog. Moreover, I can only surmise at the diminished capacity for memory and ongoing, dynamic interaction with my own interior life because of the ease of a ‘save’ button.

To sit quietly for long periods of time with small things, few words or simple thoughts is vanishing quickly from our cultural milieu. For our experience of time and space to provide enough interest it must be liberally peppered with constant stimuli, a veritable banquet of over-the-top sensory memorabilia. We are both products and victims of our own infantile detritus.

Anyway, I must now move on as this entry has taken much longer to write than the length of time it would take me to mindlessly watch a sit-com, fast forwarding through the commercials….”

the perfect purchase

hear the crumpling rumbles, crown-starved lives, stumbling

through the hours, feigning breath for the stale air of hurry.

shops awhirl with tight shouldered pilgrims alert only to winking lights

and brandied windows that steal the real for the on sale deal, steals

for grubby graspers groping for this, grasping for that

filling carts with heartless bobbles of packaged numb –

soul, unknown to its owners, crouches still, hungry, waiting, gasping

thirsty for seasonal wading pool, the drink of tourists

blind to pilgrim feast just beyond the price tag contemplations of beggars.

empty promises, shiny and hollow, lure lusty eyes and hearts behooven

to unkempt desires of lesser men.

how insidious, how stealthy, this swollen debt of mall-booty

accumulating in attics, under porches, staircases, and blankets –

garage sale in the making.

still behind such trackless wastes, just out of sight

behind the aisle, under racks of unpeopled scarves, jackets and panty-hose

lies the tiny, the insignificant, the sacred.

something without price-tag

without store hours

within reach, just beyond greedy fingers –

the perfect – he

purchase…you

tin whistle

I play Irish whistle. Or, better, I play at Irish whistle. Even better still, it plays at me. Celtic music has changed my life forever. If there is a music that can have me utterly spellbound in seconds and quickly fumbling for the radio volume control, it’s that ancient, mystical but oh so immediate music of the Celts. The following short poem was inspired by a very simple little Irish whistle tune. But first a message from your sponsor…

I’m the first to admit that much of my poetry is so stream of consciousness as to seem like utter gibberish and an exercise in right brain futility. Poetry is, to me, like flushing out the radiator in my truck. Sometimes the result is at first messy, even unseemly, but hopefully the result is a better functioning. Things run better. Smoother. Life seems cleaner, cooler somehow. This is all I can hope for in my poetic endeavors, such as they are. I can only pray that, somewhere in the cascade of apparent lexical misfits, you find something that can flush your soul and give space for newness…and perhaps a little wonder.

come to me, little strains of pipe, sullen and sad, soft and sallow

fill up my ears with the wetted, be-dewed hillsides of morning’s music.

sift me like wheat till there remains nothing but myself,

chuckling in time to tunes both ancient and strange, friend

to brother and breast, bordered ‘round with chimes and chant

thumping drum and hymning hums awhirl and awake

to find my North from earlier ventures.

stop.

stop but once,

stop but once, but twice and find me once more

awake and alive to your dervishing tease,

your dancing, light and unfettered.

full round now, take my arm and turn

now to swing, now to step, to step and dance

till we are spent,

and fall down, complete.

From pen to tea and back again

Fairly consistently, since about 1985, I’ve kept a journal. Well, I write in them. I write the stuff that happens to me in them, the stuff happening in and around me. It’s cathartic in one sense, having the cleansing effect of affecting a greater “soulishness” about the way I live and relate to my world. The visceral feel of pen on paper gives an immediate reminder of my mortality and the deeply sensory way God moves in us.

These days, however, I do most of my “writing” on computer and my pen is rusty, dulled through inactivity. It has sat, bored and undemanding, awaiting my return to saner pastures where the literary stream of consciousness I call writing gives voice once more to the complex confines of my inner circus. It is a life that always needs the light of day to prevent it from becoming just another cavernous, uninteresting drone of pedantic inactivity. Still, it acts as worthy opponent to any temptation toward self-aggrandizement. Try reading, honestly, your journalistic exploits twenty years after the fact and one is speedily confronted with the fact that the same shit I dealt with then is pretty much the same now, only with a few added layers of sophistication. This probably makes them more insidious since it is a common reality among us all to live out our lives, more or less, as the same person from start to finish. Our dissatisfaction with this reality dwells in kahoots with God’s unending desire to find us. The result is what we commonly call spiritual formation.

This morning’s exercise in stretching my spiritual muscles comes in the form of a feisty, deeply intelligent nun, sister Alice St. Hilaire. She is my friend, a fellow Ignatian and my spiritual director. If anyone can see through my often blinding hypocrisy it’s sister Alice. I have come to depend on this valuable insight lovingly offered. This is most likely because I live in a pretty consistent fog; a mushy, grey pudding of sleepy ambiguity and lack of focus all peppered liberally with self-doubt. There are always questions – so many questions, all of which become annoyingly absent the moment I sit down to sip tea and share God-talk with sister Alice.

She is never bothered by what bothers me. Am I to be intrigued or insulted by this? To be sure, it can be disconcerting whenever someone hears the most vulnerable bits of our lives and offers back ne’er a blink. It’s as though she is thinking, “alright, is that it, then? You’re all worked up about that?” A good spiritual director is one who listens to the story behind the story, ably stripping away the layers of our experience like Shrek’s onion. “Ogres have layers” he quips. If he only knew! They are adept at sensing where God might be in our unfolding narrative and never seem to be in a hurry to suggest broad, sweeping changes that might make things all better.

If I didn’t already have at least some rudimentary awakening to the things of God, such mental vapidity would seem cruelly disappointing. Of this one thing I am certain, God does not intrude upon our journey to provide certainty and a laundry list of perfectly satisfactory answers to all our queries. Countless souls, significantly greater than myself have discovered this long before me, Job being chief among them. If Job’s experience can be considered normative in any contemporary sense, we should take away the abiding idea that God does not exist to provide us with answers. Instead, God gives us better questions.

Every time I step into sister Alice’s quaint living room, the presence of God is thick in the place, literally dripping from the walls and windows and oozing out of the carpet. It smells faintly of whatever modest breakfast was consumed earlier and bears the years of humble struggle to survive in Yakima’s tough downtown, providing shards of light in the darkness there. Where my family and I dwell comfortably in “suburgatory” (thank you ABC) in our multi-bedroom home with our multi-vehicle mobility, she chooses to live in a quiet, unobtrusive peace in the midst of the despairing milieu of Yakima’s poor and destitute.

Sister Alice is fond of saying that the ways by which God has revealed Godself to me becomes who I am and paves the way for whatever may be next. If she is any indication of the ramifications of this statement, then I need to make the journey from pen to tea and back again. It is a trip exponentially greater than the sum of the miles involved. It is a foray into the heart of God.

un-muse: a non-poem

what is it I hear?

aloof and snooty, snubbing all who dare seek her way

sorting, one from another, lines dubious.

I look her way probing for

what?

drawing upon wells long dry oceans of dust

and cracks wearily worn upon my inner brow.

pondering the profound I pander to cliché

coaxing genies from bottles invisible.

I long to taste Dionysian delights

ag-ed

austere

perfect

but spew forth non-existent pleasures,

rhyming Morpheus himself to death.

wait I longer for words unheard

grasping for what refuses bit or bridle, lilt and song?

the mind yet uncaptured reels against itself

pursuing that which is beyond the chase

but, in the pursuing, doubles back to find…

the journey.