How?

How does one begin, grace withheld, to keep,

with thunderous nonsense floating out

on nature’s blundering step,

one’s native senses stout?

 

How does one’s song, pretentious to the end,

regale a hall of witless whim,

and never reach what ne’er was sent,

the places best it’s warming, trim?

 

How long there lies within us all,

lies within us, all tightly tethered;

a mirror’s mirror to boon, enthralls,

while hearts lay scarred and feathered?

 

How still, the talk of soundless wind,

can still the talk of sound, less still,

and draw from death a life to find,

when all but hope has had its fill?

Advent II

Ah, little God, in an instant long in coming,

you broached to us this breachless veil,

bearing its weight in sullen flesh, and pulled aside

the cancerous curtain. Here, where once

we hid from the balm of healing touch, now

you lay fresh hope in scattered hay into which,

breathing lightly in cherubic light, has come

to rest, new life in an infant’s deep sleep.

From the poet’s ready pen

poet's pen

From the poet’s ready pen comes the

yawning stillness, leaking out

from linen thoughts, stretched

tight upon the hungry loom.

How dear these words come, dear soul,

trading green for our grey. 

Like the pastiche of a late morning sigh,

our tough and torrid skin oft forbids

your trim veracity, always enough

to root it all in the insufferable lightness of song.

 

Tease out the rising tides,

their turning waves run amok.

Oh ready writer, graft our branch to seed,

your root to leaf and banish

all the rotted soil to its brown eternity.

 

Winnow out from worn whimsy,

with your willow-throated pen, our

long-faded hope. You set about

your task, anonymous to none but 

the unseeing ears of deaf brutes.

 

Letters, cast adrift to their watercolor

harbors, dive down, down,

down from brushes, pinched

tight in fingers that point

with precision to everything that eludes.

Paint wide the foraging colors of

dimpling fragments of forest, new.

Tease out our trembling days, and release 

what hides itself in the obvious.

 

Advent

SONY DSC

The day before the days

before winter’s satin gloss,

driftwood glimpses neatly hide away in

a gathering pageantry.

 

Tightly tucked in folds

of ancient wind with pockets out-

turned, falls the Fall,

fallen…and begins a new tale.

 

Heaven’s sudden smile, casts

a long and shattering light

on the darkening days –

bringing the iron-gilded hope

 

of dawn’s new Dawn.

_________________________

Picture found here

Enough?

Bequeathed to me are quill and quine,

a thousand hillsides’ worth.

No greater gesture could, for mine,

elicit thanks, henceforth.

 

So stiff the hand to wrench and grab

so stunted, feet, to trudge;

the weary eye’d think all life drab,

one’s paradisal grudge.

 

When hope is stirred, not wit or whim,

a fire, too, is stirred.

‘Tis then the soul her nurture finds,

ahunger’d less for food than word.

For Emily Dickinson

 search

 

 

“Hope is the thing,” she said,

that one thing most real for one who looks.

Her lips, so full in Heaven’s unmeasured smile,

speak outward still to a land more rich for the kiss.

 

“He ate and drank the precious words,” she intones –

a wiser breath slicing through the caustic

din of monoxidic madness. Someone sees

what, in its dim appearing, shows itself bright.

 

“If I can stop one heart from breaking,” we hear

her moan, the pained and paining alike her cast.

Though hell would be her suitor, more suited

to Heaven the language of this child.

 

Let us then lean into the dawning day, delight

our closest friend and, as she might urge us,

look East where all is birthing and good is free.

For “none can avoid this purple.”

 

Image found here

The heart that John heard

Many times and seasons pretend to sway our way,

and drop their hints of monotony – but fail.

 

Few are the banks of shuddered-down snow

on pathways already hidden from our feet.

 

Many are the pedals on wayward flowers

refusing a lesser share of their own song.

 

Few are the words ill-spoken from lips

more accustomed to smile or kiss.

 

Many the moving notes from the still page,

to still the ravaged breast will come.

 

Few, or none, the children, playground-found,

whose voices, loud and ardent, disappoint.

 

Many weary eyes are pointed upward where

hills, apart and distant, croon.

 

Few there be to quell the wish of

night-fallen star-gazers seeking.

 

And altogether, met and threaded down,

in aching stillness from the heart that John heard.

Remembrance day

Steven-Elliott-Photo-for-Oct-Poetry-Party

 

 

 

 

 

 

 

 

O dear page, waiting and empty,

could there be a day better suited

to the recollections of a soul, overripe and

forgetting its light? Those things that once were

a willing fountain of refreshment have become

the sublimations of tired whimsy.

Sparrows only frolic where there is the bidding

of happy water, the promise of baptismal song;

the welcome of Maundy-feet in shared coolness.

When pools freeze over they are

fit for nothing more than a crystalline table

for airborne detritus, the gleanings of

the woeful. It mirrors itself, parody of warmer times,

more reflective but less refreshing.

Let no more the satisfactions otherwise suitable

to the salubrious spirit be hidden among

mournful weeds of forgotten bounty.

Rich the soil into which dreams are buried.

Light the step of the grace begotten.

Still are the waves of the undying.

Yet we call this to mind and

therefore have we hope…

Photo by Stephen Elliott