April 9, 2019

April 9, 2019

When, if not now?
A recluse to your own life,
are you banished from your own time and space?
When should you emerge from solitary submersion
into mental goat-cheese hills,
clouds coating molasses hillsides, at night –
fallow-fogg’d and faint?
Fainting in self-imposed hunger
you wander, buckling at knees,
well-scabbed, heaven-noticed.
And for all that, so little to show.
It’s the sound of excuses low on batteries.
The oldest, leather’d tales of one made sick
on sumptuous delights of dark.
And still, all those black, moonlit hills of your desires,
shivering wistfully in an adder’s den of want.
“Do you want to be healed?”
Such a stupid question, unless you’ve seen
all this before in light-adjusted caves
of self-pity; the forlorn battle-weary sojourners
preferring to fight without armour, eyes closed.
Closed to adulations begged for, wept over, demanded, refused.
Full steam ahead on an undersized train
sliding down carefully-crafted embankments of misfortune.
Divvy out carefully those shelter-shined coins of detail,
actual currency of a life lived on purpose.
Let your body to your soul state its intentions well –
walls you painted over, once your prison –
now, just old, flayed relics
of too many days reminding you
of too many days.
I’ve been rather lazy poetically speaking these past few months. Perhaps National Poetry Month can help to dislodge me from this lethargy. To celebrate, I’m contributing one Haiku per day throughout April.
Why not do the same?

This pedlar in impatient thoughts
travels light but burrows down, heavily
down, and down and down again;
to the parsonage of promise, wall-papered
in the sweat of dreams.
The days, carefully patented against
her own times, roll out
like dried tobacco leaves, the inhalation of
a promise, made, kept,
broken, and made again.
Pencil sketch clouds smudge
a looming graphite across the vast skin of sky.
The forest, sotta voce, stock still, looks
nowhere but down to the nourishing dirt,
kneels up to the humming heavens.
And, for all this cantabile chorus,
throats out a steely enervation,
where none but she can hear the silent praise.
She grapples in morning still
and shivering, licked up from bowls
of her own gratitude, there
to shimmer hints of the new,
bridal day.
In the interest of recusing myself
from the intentional acts of living in
salience and satisfaction,
I remove paper clips from bundles
and places of collecting –
days not yet taken,
things taken too often,
conversations unfinished,
gazes left unyielded to awe.
And I forget to wait.
In the interest of restraining myself
from the morbidity of beloved melancholy
I reach across heavens of tear-stained songs
and their owners, too shy to keep singing –
and touch the lips of those like me,
who might never have sung
were it not for those heaven-kissed notes.
And I forget to wait.
In the interest of reinventing myself
I recall to mind the person least reticent
to dance naked before the large window –
unblinking, shameless with wanton wit;
those long-wished for days not yet cast aside.
Not forgotten, merely unremembered.
A bold and chivalrous persona void of
the self-effacement unknown in our youth.
And I forgot to wait.
If we are made in God’s image and God sings, then we should be singing, too.
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