scattered in ashes of light

Moonlight in Vermont

 

 

 

 

 

there you were scattered in ashes of light

outside of time’s ballooning source

the triadic perfection of unanimous singular gaze

eloping with butterflies light on the sill

and I am loving your loving our loving

there are no more songs fit to sing

where you lay dreaming your hair unyielding

to the moon held at bay too dim for your eyes

a cool and stut stuttering night bares her dark breasts

and draws herself up to tuck in the spindly stars

who point their bony fingers toward my love 

still scattered in ashes of light

 

Picture this

This Holy Skin

This is a piece originally posted on my innerwoven blog on August 28th of last year. I thought I’d post it here, too. You know, for fun…

We stand and crane our necks

reaching for heaven’s bright smile,

upon shoulders of brown and moving green,

and in the act forget ourselves as one and there and good.

Made from unmade to make again,

these arms outstretched with fingers hoping

to touch the air and the unseen,

we hope for less than our skin suggests.

And yet, in this, there is no shame

since we ourselves are of the dust – rooted,

embranched and gnarled but numinous and whimsical

as the clouds and rain.

To escape from this is not as good

as other fingers poised to touch,

to show what we weren’t looking for…

ourselves, God’s fingerprints smudged

on the pane of humanity,

in the humanity of our pain-

on us.

Having sung with the choir – an evening examen

combined-3-choirs-singing-balaio-juiz-de-fora

Having sung with the choir, this evening’s venture

brings light to the night and a dark covering of

powdered stillness descending, descending still

upon these battered brows. Hear, O hear

the silver notes, sliding out from cleaving tongues

pressed up against our cheeks, the very cheeks

now flushed and warm with the post-song glow of

happy hearts. O Dancing One, how lightly you move,

alight and glide where clumsy old oafs yet banished in

the wooden feet of sin are forced but to watch.

But watch we will until, our laces loose,

we cast off iron shoes, and at last

our feet fall in time with yours.

Tonight, our songs have burrowed into

heads prepared for pillows,

hearts prepared for love,

eyes prepared for sleep,

souls prepared for eternity,

and voices prepared to sing once more the songs

that wonder.

Photo found here

.

I-You-Holy Ground

I am the dusty ground, low and dry

thirsty for the imprint of holy feet.

Despoil with radiant prints, this virgin ground.

___

You are the rain, falling deftly

upon my brown soil. Now is left

your footprint on this ground.

___

I am the ashen leaves, curling and broken

awaiting but a whisper. For only then

can I fall on solid ground.

___

You are the soundless wind, howling, still.

You creep up behind me and

exhale me to the ground.

___

I am the snow, disembodied worlds of cold

and chance encounters with hand, or tongue,

eye-lash or palm needing ground.

___

You are the frozen air in which I am held

aloft, drawn slowly down

to meet with others on the frozen ground.

___

I am the waning autumn death

soon to give way to the long silence-when one Voice

becomes the loudest ground.

___

You are the Voice that speaks

heard best in dying, power given for

rising from this shivering ground.

___

I am the distant hours, the midnight passing-

the refusing minutes, trapped in hours,

running from the years of ancient ground.

___

You are the many, and the one, and all time

and nothing and everything from nothing

where time has no ground.

___

I am the weeping, the squalid groaning,

the unrequited miseries of misery’s company

laying crippled and diffused in the ground.

___

You are the end of tears and years, the question

and the answer, the sutured nerve of joy, not suggested

but present, here, on this Holy Ground.

Poetry: rebuilding the world through the un-wasted beauty of redemptive syntax, cont.

When, as a boy, I was expected to be cleaning my room, doing homework, weeding the garden or any of a host of other chores, I would more often than not be listening to music in my room. Or, perhaps I’d be teaching myself to sing like Robert Plant or Burton Cummings or Dan Fogelberg. I might have been writing music once I got to Junior High School or touring as a musician by the time I was a senior in High School. Suffice it to say, art, music, poetry – literature in general has shaped my life and provided many hours of delight and avoidance. It’s the mirror into which I’ve learned to see my own face. It’s also the looking glass through which I’ve learned to see others.

Music and poetry can become for all of us an answer to our disheveled hatreds, our worn out prejudices, our tired judgements and our need for a language with which to say, I see you.

Traveling light in serpentine winds

Traveling light in serpentine winds

this haughty craft, held aloft, sequestered

inside hints of journey’s end.

 ***

Earth’s edges, blunter now but rippled and dented,

provide the places safe to sing

the bawdy songs of youth, sung too soon, before

the second hand is wasted on the whirling clock.

 ****

Were it anything more than salvageable

solitudes, trapped in their dusty orbs,

such voices might bloat to consume me,

dine on my liver with older words,

rich but thick and unchartered.

 *****

So then, forage I shall for colors unmuted,

songs yet without voice, paths full-trod, seen with

eyes withholding nothing but a flute and a scalpel.

One to begin, the other to end

the sharper edges of this catastrophic

beauty – this undulating goodness.

 ******

I think I’ll take a walk.